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Showing content with the highest reputation on 05/07/2026 in all areas

  1. I'm already sick of this film, and I've never even seen it. It's somewhat fascinating though. Just pops out of nowhere with zero context. Nobody saw the Norm Johnson angle coming. If, as described, this newly discovered footage is taken in late '66 or early '67, at a completely different location, different season, different environmental conditions, different lighting, different subject, different actor, different camera angle, different subject behaviour, different filming style - then what the heck is he supposed to be testing, exactly - that he can successfully film someone walking in the woods? 1) We're told by Munns and others that there are specific Patty-esque movements on the found footage. That means they have the exact intricate movements planned many months before, then they wait, and wait - for many months. Given that he took a loan to finish his doc that was due for repayment in early June 67, they apparently had the suit and the camera and everything rehearsed down to the movements way before then - and they wait for something? Until late October, 500 miles away when they've already tested what it looks like, filmed relatively speaking on their doorstep, presumably in Bigfoot HQ in Washington, judging by what is described. 2) I think the earliest we have a record of a K100 and Kodachrome II in Patterson's hands is May 13th 1967. That's not to say he couldn't have had another sometime earlier, just that there is no record or other footage known to have been filmed on a K100 prior to May, as far as I know. 3) If, as the Director asserts, it is Al DeAtley in the suit based on his movements, then they have the suit and the actor. It may have been made to measure for Al, as Bob H certainly does not mention being measured up. Why would you want to risk exposing your hoax by dragging some car crash like Bob Heironimus into the inner circle, if you already had someone? That makes no sense from a risk perspective. 4) They have specific movements of the actor all planned and rehearsed in late 66/early 67, then in August they put Bob H in the suit and let him "walk up and down 3 times" in Patterson's back yard (from Long's interview). They never train him on specific movements or show him the film they shot. Then magically, the next time Bob H meets them in October, he dons the suit and out come all the specific moves again that he's never been coached how to do. Doesn't make sense. 5) Where are the other takes? They do one take for 40 seconds almost a year earlier, and then.....? 6) They film a rehearsal of a hoax. They then either don't bother to take possession of the developed film, or they let Norm Johnson keep the original, while he palms them off with A COPY. A copy that could be a smoking gun for their hoax, because they can tell it's not the original from the copy markings? Also - zero sense. If Norm is pulling a fast one, then why keep the original? Just give the original back, as they have no way of knowing the original has been copied. 7) Norm Johnson's wife is so worried about him being implicated in a hoax, she requests that he 'put the film away' in a safe. If you are that worried, you would just destroy it. To me, many of the above points don't make any sense if the footage was a rehearsal, but they make much more sense if it was a recreation.
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